Grateful to Ann Pedone at Antiphony for wanting to publish my long poem Starving Is the Energy. It’s length is between a chap and a book - so maybe a booklet.
Starving is the Energy explores the body, work, technology, and memory, weaving vivid details and moments of humor with reflections on music, literature, and philosophy. Influenced by the works of Antonin Artaud, John Clare, Julian of Norwich, and others, it considers the realities of illness, identity, and mortality while searching for meaning in the tension between life’s tenderness and its harshness. The farm where Szymaszek works grounds the narrative in sensory experiences: the smell of manure and fur, the feel of a curry comb in hand, the sight of a cow's damaged horn. These physical moments provide a connection to cycles of life and death, care and renewal. Recurring images, like cows flicking their horns or leaning into a touch, act as refrains that echo throughout the text, inviting contemplation of how small gestures can hold profound significance. Grooming the cows is both a task and an expression of connection and resilience, a way to push back against a world that often dehumanizes or demands conformity. Through these simple, tactile acts, the work transforms labor into a practice of mutual care, recognition, and quiet healing.